"Good Design Is Good Business"

estudiante de arquitectura

FOTO 1

Fotografía interior de Museo TAMUX
CONCEPTO Y COMPOSICIÓN:
Lo que yo quise plasmar en lo que estaba viendo en ese momento fue la luz y sombras que estaban en ese instante el juego entre las formas geométricas y simétricas y como la luz natural establece una parte importante en los sentidos del usuario

FOTO 2
Fotografía exterior de columnas en Colegio Tamatan.
CONCEPTO Y COMPOSICIÓN:
Las columnas que se muestran son una parte importante en la conexión de los edificios son elementos que si no estuvieran ahí se sentiría que faltara algo como lo es la vegetación y el pasto de igual manera el acomodo de estas columnas como elementos arquitectónico forman parte importante en ese espacio
FOTO 3

Fotografía exterior de ventana en Colegio Tamatan.
CONCEPTO Y COMPOSICIÓN:
Esta ventana muestra un método constructivo y el juego de los materiales como lo es ladrillo, concreto madera y vidrio hacen una composición importante para dar juego a la fachada

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thecomicsvault:

COMIC BOOK CLOSE UP
G E N I E  B A T M A NDetective Comics #322 (Dec. 1963)Art by Sheldon Moldoff & Charles Paris

thecomicsvault:

COMIC BOOK CLOSE UP

G E N I E  B A T M A N
Detective Comics #322 (Dec. 1963)
Art by Sheldon Moldoff & Charles Paris

(via gameraboy)

Biomuseo by Frank Ghery

Biomuseo by Frank Ghery

archatlas:

RW Concrete Church NAMELESS architecture

“The RW Concrete Church is located in Byeollae, a newly developed district nearby the north-east region of Seoul. We envision a new landscape situated between nature and the artificial, creation and extinction, rather than a building on a complete urban fabric. The church is set to become part of a new urban environment, materialized through its simplistic form, unified materiality, and program-based continuation of space.”

(via ohyescesc)

ombuarchitecture:

RESEARCH LABORATORY

Groningen, Netherlands, 2003–2008

The facade isconstructed from flat, vertical aluminum slats, which, in places, are twisted outwards in bowed forms. Tall, vertical undulations are generated, which present an open or a closed aspect depending on the angle under which they are viewed.

On the lower level the colour yellow is used, which gradually changes to green towards the top of the building.

In the interior, two internal vertical voids allow daylight to enter the interior functioning as a form of internal facade. The two voids have the geometry of asymmetrical truncated cones which mirror each other vertically. Shared walkways surround these internal voids, creating a clear organisation whereby dark corridor systems can be avoided.On the ground floor, where daylight is at its lowest, yellow is used. Per floor this colour then deepens through to orange and finally to red on the uppermost level.

unavidamoderna:

Vista desde el jardín de la fachada lateral, Casa en San Ángel, San Ángel Inn, Alvaro Obregon, Mexico DF c. 1950
Arq. Enrique Carral Icaza
Foto. Guillermo Zamora
Garden view of the side facade, House in San Angel, San Angel Inn, Mexico City c. 1950

unavidamoderna:

Vista desde el jardín de la fachada lateral, Casa en San Ángel, San Ángel Inn, Alvaro Obregon, Mexico DF c. 1950

Arq. Enrique Carral Icaza

Foto. Guillermo Zamora

Garden view of the side facade, House in San Angel, San Angel Inn, Mexico City c. 1950

(via modernarchitectstudent)